In this body of work I’ve created an alphabet of social and political problems in the United States. Each issue is in a child’s alphabet book format which simplifies the issues into one word and an image to represent that word. The words and images are all hand embroidered onto canvas. Then the backs of each are fabrics or found objects that enhance the feeling of it whether it be for, against, or challenging the issue. Each pillow then becomes unique and specific, meaning the whole pillow embodies that issue.

The issues I address are not so easy to swallow at times. That is why, instead of just making a quilt out of the embroidered pieces I created them into decorative throw-pillow like size pieces. My pieces are intended to be much more than ordinary pillows. They are a platform to start conversations about issues that are difficult to have. These seem like soft, comforting objects but the messages they present are hard and abrasive, confronting the viewer to deal with controversial and unsettling issues. This is why, people can bring them into their homes where they feel the most comfortable, and have a conversation about these difficult issues.

By using techniques that are historically viewed as a feminine craft I’m addressing the stereotype of craft in fine art and the stigma behind what is considered feminine art. Employing sewing and embroidery in my art, I become connected to my work and the subject matter I’m addressing becomes more potent. Embroidery is seen as ‘women's work’ and as a woman using this technique in this setting is empowering and rebellious.